- bring a colourwheel using paint and 3 drawings of the same still life
- paint another colour wheel
- graduate colours going from a secondary to primary
- paint 3 drawings- tonal, two primary's, one secondary and one primary
I found that I most enjoyed and found the tonal painting to be most effective in creating depth and experimenting with a range of tones. The second was experimental whereas by the magenta and green painting I had worked out what tones work together. I found that when creating the colour strips at the side I could get a huge range of colour using a limited palette and created some really nice tones.
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